Woman's Constancy
BY JOHN DONNE
Now thou has loved me one whole day,
Tomorrow when you leav’st, what wilt thou
say?
Wilt thou then antedate some new-made vow?
Or say that now
We are not just those persons which we
were?
Or, that oaths made in reverential fear
Of Love, and his wrath, any may forswear?
Or, as true deaths true marriages untie,
So lovers’ contracts, images of those,
Bind but till sleep, death’s image, them
unloose?
Or, your own end to justify,
For having purposed change and falsehood,
you
Can have no way but falsehood to be true?
Vain lunatic, against these ‘scapes I could
Dispute and conquer, if I would,
Which I abstain to do,
For by tomorrow, I may think so too.
Analysis:
This is a seventeen line lyric poem on love penned by John Donne
between 1592 and 1598. This poetry might be spoken by two entirely different
characters.
One is a lover who seems almost unconscious of the outside
world. He is assured by the knowledge of love returned by a woman or perhaps
his wife.
The other is roué, the one who mocks the Petrarchan poets’
attempts to defy a woman, and exposes the shameless motives of her behavior
with acid wisdom of wide experience.
This poem showcases the brilliant inventive wit of John Donne
which proves his originality. He, in the poem addresses his mistress in blunt
and unromantic terms. He shows the practiced understanding of insincerity. It
is a miracle that she has loved him for the whole day and how can she find an
excuse to drop him? It is important to note how she will justify her
capriciousness.
It feels secure to say that Donne was the first English poet to
call his mistress a lunatic (a madwoman). By using this abusive term in the
context of love poetry, he shows how far he is prepared to challenge accepted
ideas and practices. He breaks the idea that a mistress should be treated as a
remote goddess. According to Donne, she is not even a convincing liar and this
lover rejects her hypocritical excuse with a harsh insult.
Instead of following the tradition like other poets of
convincing and begging for favors, Donne invents an unkind apology which he
knows she will offer him. Donne here speaks like a cynical realist. The use of
ingenious excuses are the most characteristic feature of ‘Metaphysical’ poem and
in fact, proves Donne’s wit.
Stylistically, if we try to look closely at the poem it seems to
be a dramatic monologue. Just like Dr. Faustus’s last monologue deals with his
repentance before God or a philosophical soliloquy of existentialism of Hamlet
which shows true renaissance spirit, this lyric is, in the same manner, deals
with love and the problems in love faced by a lover. The way Donne has used
irony in this poem is remarkable. Donne uses one paradoxical argument after
another.
In a nutshell, it can be said that the poem begins abruptly
without setting and the language is plain, simple and unromantic in a
straightforward way with casual expressions. It does not include literary
decoration. This poem proves a strong masculine voice in mockery of a woman.
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